Masterpiece Squelette New Design

Inspirée de l'horlogerie mécanique contemporaine

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Inspirée de l'horlogerie mécanique contemporaine

Masterpiece Squelette New Design

L'intérieur de Masterpiece Squelette New Design

Unique, extraordinaire et déterminée. L'accent mis sur l'esprit contemporain de la nouvelle Masterpiece Squelette souligne le savoir-faire horloger traditionnel et l'application de l'une de ses techniques les plus délicates. Le squelettage du mouvement est une opération de longue haleine qui requiert des artisans un très haut niveau de précision et de dextérité. Les nouveaux modèles Maurice Lacroix rendent un hommage vibrant à la tradition horlogère et en profitent pour offrir une nouvelle identité à la montre squelettée, avec une touche de modernité. La collection, dont les designs avant-gardistes avaient déjà convaincu en 2007, est inspirée par les dernières innovations technologiques.

 

L'anatomie du mouvement ML 134 squeletté est fièrement exposée à travers le fond en glace saphir. Ses composants sont fabriqués et squelettés avec un soin et une attention infinis, et chaque composant est poli individuellement. Entièrement visibles, les ponts, disques, roues et pignons du mécanisme sont finis à la perfection, jusqu'au plus petit détail. Sous son look presque sportif, la Masterpiece Squelette opte pour une finition minimaliste qui met en lumière son esthétique audacieuse. Les ponts, traités PVD couleur or ou tantale, sont décorés d'une finition satinée qui souligne l'harmonie et l'équilibre de leur construction.

BOÎTE
- Acier, Ø 43 mm, finition satinée et polie
- Glace saphir bombée avec traitement anti-reflets des deux côtés
- Fond vissé avec grande glace saphir
- Étanche à 50 m (5 atm)

AIGUILLES
- Aiguilles des heures et des minutes estampées et enduites d'une substance luminescente (luminescence bleue)
- Couleur rhodium ou noir

BRACELET
- Bracelet en crocodile véritable, disponible en noir (doublure en veau noir, surpiqûres noires)
ou marron (doublure en veau marron, surpiqûres marron)

BOUCLE
- Boucle déployante en acier avec poussoirs
- Finition satinée et polie

MOUVEMENT
Mouvement mécanique à remontage manuel, calibre ML134
       
FONCTIONS
- indication des heures, des minutes et des secondes par des aiguilles centrales
- aiguille de petite seconde à 9 heures
- Fréquence : 18 000 alternances par heure, 2,5 Hz
- Réserve de marche : 45 heures    
- Rubis : 17        
- Réglages : 5 positions après remontage complet et après 24 heures    
- Décor : grand colimaçon et finition sablée sur le pont principal, en version noire ou or rose

Senay Gueler

Senay Gueler

“Without a watch on my wrist i would not have a feeling for time”

Senay Güler was born in a small town in the Odenwald. With his tender age of 14, he got to see two turntables for the first time and made his first steps in the field of DJing. It was obvious to him that DJing will probably become a big part of his life. Born in a family with two other DJs, he already started at the age of 16 to play in the surrounding youth clubs and to supplement his pocket money with his gigs. Soon he was playing in the most prestigious clubs in Frankfurt, as the Dorian Gray, Omen or even the legendary Funkadelic. As a contrast his brothers forced him repeatedly to play in the on-site pubs and bars, whereby the focus was always to play music for the people and not for self-seeking. 

Early on, he learned to read the dance floor and got a feeling for the audience. Influenced by his eldest brother Cem, a DJ in the early 80s, late 70s, specialized in funk, soul and rap and his second brother Sener, who was musically between Depeche Mode, Front 242, Rammstein and Lacrimosa, he develop an affinity for electronic music in the 90s. This explains his today’s enormous range and his diversity in terms of music. After a wild phase at the end of the 90s he began to put his DJ activities aside and started his career at Universal Music in the field of compilations. Work and family life were simply not to bring in line with the life of a DJ. 

Nevertheless he started again, at first only for the purpose of playing at internal Universal events, such as gold and platinum award shows, release parties and many other events. His talent got around quite fast and requests of various companies trundled into his company account. At first surprised, but then delighted, he took part in the first gigs. Universal Music, Hertha BSC, Coca Cola GmbH, Peek & Cloppenburg, Novartis, UFA, CMCL GmbH, Bacardi and Camel, are just some of the companies who booked henceforth his services again and again. But he was not happy. 

Large events with the associated large fees were indeed great but something was missing. He slowly started once more to play his own unique style in the club scene parallel to his work as a Junior PM at Urban / Def Jam and Universal Music. From time to time (in addition to the trendy clubs in town as the legendary 90 degrees, the asphalt and the Felix) he plays in the small and dirty clubs of the capital to pursue his penchant for electronic music!

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